On of my plans for this blog is to review some great tree themed books I've read recently including:
"In this fascinating book, Maitland argues that the two forms are intimately connected: the mysterious secrets and silences, gifts and perils of the forests were both the background and the source of fairy tales. Yet both forests and fairy stories are at risk and their loss deprives us of our cultural lifeblood."
Sarah Maitland makes a convincing case for forests as the originary source of fairy tales and an even more important point about the role of urbanity and technology in eroding some of the mystery and magic of our forestsy imaginings. One of the things I love about Sydenham Hill Woods is the lack of phone and internet signal. In the absence of all that noise we can revert to a more embodied state. Deep in the forest I am quite literally unshackled from the grasp of work.
Maitland makes the point that few children in the UK are now able to experience being in a forest on their own, and, if they are on their own, they have probably been given a phone to keep in touch. I spent a lot of time on my own and with other children in the Sydenham Hill Woods as a child in the 1970s. We did get into horrendous situations, but even so, in the long run, they may have been valuable, if traumatising, learning experiences....or just the side-effects of a life lived with any significant degree of freedom.
"I seriously fear," the books says "that we are failing to nourish the beautiful and precious quality of resilience in our children."
The section in Gossip from the Forest about the New Forest presents an aptly complex relationship between cultural colonisation and the preservation of the forest, in fact it would not have thrived without the heavy handed Norman sequestering. I read this book while camping in the New Forest and found it doubly magical for being there.
The book is earnest in places, but also beautiful to read at times, anyone whose been to Hertfordshire in the spring will know exactly what Sarah Maitland means when she writes of "the strange smoky shimmer" of the Bluebell woods......
I've been trying to evoke the mystery and magic of the woods in my own work recently, to convey what Maitland describes as the "secret gifts and perils and the knowledge that you have to go through them to get to anywhere else". In particular I like the passage away from Lordship Lane to the very centre of the woods, it evokes a kind of birth as well as a dream state, a return of some kind.
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